Archive for Wallace and Gromit
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You are browsing the archives of Wallace and Gromit.
After casting the devil out of THE LAST EXORCISM, Dan Persons, Lawrence French, and Steve Biodrowski exercise their analytic on other possession movies in the latest episode of Cinefantastique’s weekly Post-Mortem Podcast. What are the best and worst the genre has to offer: THE EXORCIST, THE EXORCIST II: THE HERETIC, THE EXORCIST III, HOUSE OF [...]
Wallace and Gromit are back in an all-new animated adventure. After the entertaining but disappointing WALLACE AND GROMIT: THE CURSE OF THE WERE-RABBIT (which seemed stretched a bit thin at feature length), creator, director, and co-writer Nick Park returns his delightful plasticine pals to their preferred format, the half-hour short. Even if the results do [...]
With little excitment in terms of new cinefantastique this weekend, we are taking this opportunity to dig through our archives a present a retrospective series of reviews and interviews regarding the work of stop-motion animator Nick Park, in particular his plasticine pals Wallace and Gromit. The characters first reached the screen in the Oscar-nominated short A [...]
Stop-motion stars Wallace and Gromit have their roots in Park’s early sketchbook, and they first took shape in A GRAND DAY OUT, the Oscar‑nominated short that Park began as a school project and completed at Aardman Animation. After directing the Oscar-winner CREATURE COMFORTS, Park brought Wallace and Gromit back to even greater acclaim with THE [...]
Ardman Animation, the British producer of stop-motion commercials and short subjects has numerous entertaining films to its credit, including PIB AND POG, NOT WITHOUT MY HANDBAG, and THE INFINITE VARIETY SHOW, but the company’s crown jewels have to be the delightful duo of Wallace and Gromit. Their first film, A GRAND DAY OUT, was nominated [...]
After winning two Academy Awards in the short animated category, Wallace and Gromit’s feature film debut in THE CURSE OF THE WERE-RABBIT is, frankly, disappointing. It’s not as good as THE WRONG TROUSERS; it’s not as good as A CLOSE SHAVE. But at least it is good.
One suspects that DreamWorks (which has had blockbuster success [...]
Before starring in their first feature film, plasticine pals Wallace and Gromit shot to stop-motion stardom in three short subjects: A GRAND DAY OUT, THE WRONG TROUSERS, and A CLOSE SHAVE. Produced by Aardman Animations (which also produced the Oscar-winning animated short CREATURE COMFORTS, plus numerous stop-motion commercials, including the Serta Sheep and the Chevron [...]