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Twisted metal, slow-motion explosions, outrageous gunfights, and more bodies than you can count – some naked, some bloody, some both – and all of it in 3-D! It’s a rip-roaring trip down the Road to Hell as the Cinefantastique Podcast crew (Dan Persons, Lawrence French, and Steve Biodrowski)  hitch a ride with Nicolas Cage for [...]

Last night I attended one of the nationwide Fathom screenings of THE EXORCIST (1973), featuring the new documentary TO HELL AND BACK, which charts the making of the classic horror film. Never having attended a Fathom event before (it’s a bit like watching television in a theatre, with digital image projected on select screens around [...]

In the mood for an exorcism? Then join Dan Persons, Lawrence French, and Steve Biodrowski as they scourge the unclean spirits of THE LAST EXORCISM, casting out the plot spoilers and narrative inconsistencies that bedevil the tortured soul of the new faux-documentary from producer Eli Roth and director Daniel Stamm.
Also in this episode, a [...]

Below is a written transcript of an exclusive Cinefantastique interview with Daniel Stamm and Eli Roth, the director and producer of the new film THE LAST EXORCISM. The Interview was featured on The Cinefantastique Podcast 1:28 and was conducted by CFQ’s own Dan Persons!
CFQ: “Let me start with you Daniel. One of the things I [...]

This upcoming release of THE LAST EXORCISM on Friday has fans of cinefantastique thinking back, inevitably, to THE EXORCIST (1973), the Oscar-winning horror classic that really upped the ante in terms of mainstream movies willing to pull no punches when it came to shocking viewers. (THE LAST EXORCISM even contains a clever dialogue reference to [...]

As part of an American Film Institute series at the ArcLight Cinemas, the screenwriting team of Scott Derrickson and Paul Harris Boardman answered questions after a preview screening of their film THE EXORCISM OF EMILY ROSE, before it opened in theatres on September 9, 2005. The film had garnered attention because it claims to be [...]

In terms of quality if not quantity, the exorcism genre just about began and ended with THE EXORCIST (what else has been worth watching, except perhaps William Peter Blatty’s follow-up THE EXORCIST III?). Consequently, it might sound like damning with faint praise to say that THE EXORCISM OF EMILY ROSE is the best film of [...]

Roman Polanski’s diabolical little thriller may not rise to the level of his acknowledged classics in the horror genre; nevertheless, it represents a return to form for the director of such memorable films as Rosemary’s Baby and Repulsion. Decades later, THE NINTH GATE may not be groundbreaking in the way those films were back in the 1960s, but it features the same sure-handed control of cinematic elements.

THE DEVIL’S BRIDE (1968, known as The Devil Rides Out in its native England) is one of the last fine examples of the classic Hammer Horror style. Before closing up shop in the mid-1979s, the studio’s subsequent output would include some good, and even a few great, films, but the familiar motifs had been mostly [...]

Writer-director Roman Polanski’s adaptation of Ira Levin’s novel has earned a reputation as one of the greatest horror films ever made. It is easy to understand why: this is a serious effort that gradually and carefully constructs a mounting sense of paranoia that climaxes in a horrible final-scene revelation. The setting and performances are completely [...]