Archive for Sam Raimi
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You are browsing the archives of Sam Raimi.
Fear Has a New Name, and It's BIRDEMIC: SHOCK AND TERROR.
It’s the rare film that comes along and totally redefines the medium, but such a film is BIRDEMIC: SHOCK AND TERROR. From its striking visual style to its Oscar-worthy performances to its dazzling special effects to its powerful, environmental subtext, this tale of a small, [...]
When THE EVIL DEAD exploded onto theatre screens in 1983, it was with all the gorily gleeful impact of a Jack-O’Lantern detonated by over-enthusiastic kids playing with firecrackers – a wild and unrestrained blast of grueling horror influenced by everything from THE EXORCIST to NIGHT OF THE LIVING DEAD to THE TEXAS CHAINSAW MASSACRE. Although [...]
–PULP FICTION Director to Helm Pulp Hero Film As Well?–
Pajiba.com is reporting that Quentin Tarantino is going to rewrite or co-write a script for THE SHADOW, now a 20th Century Fox project.
After the rights to the radio and pulp magazine character passed from Universal (whose 1994 film version underperformed) to Sony/Columbia, it was a project that Sam Raimi [...]
Sat on this for a while, but it appears to be legit.
Deadline.com says it can confirm that Sam Raimi (SPIDER-MAN) is going to direct OZ: THE GREAT AND POWERFUL for Walt Disney Pictures.
Robert Downey Jr. (IRON MAN) is said to be in talks to play the role of the “Wizard” in this prequel to THE [...]
Director Bryan Bertino
According to Deadline New York Bryan Bertino (THE STRANGERS) has been hired by Sam Raimi’s production company, Ghost House Pictures, to direct their latest horror-come-thriller, THIS MAN. The film was inspired by an Italian sociologist’s website (yes, you read that correctly) for which the company picked up the rights to adapt and have [...]
We usually look forward to Tuesday because it’s the day when new DVDs and Blu-ray discs are released; unfortunately, today is a bad day for cinefantastique on home video. With not much new and exciting happening, we thought we would take refuge in retrospectives, casting a look back on some older items of interest. Since [...]
Sam Raimi was the perfect choice to bring SPIDER-MAN to the big screen. His early EVIL DEAD films displayed a love of vertiginous camera work and over-the-top antics that seem eminently suitable for a comic book adaptation about a superhero swinging around buildings on a web. His later dramatic work (A SIMPLE PLAN, THE GIFT) proved [...]
DRAG ME TO HELL represents a return to the horror genre for Sam Raimi as a director – a fact that may surprise younger fans who know him only as the man behind the SPIDER-MAN films. Raimi burst onto the exploitation horror scene in 1982 with THE EVIL DEAD, a graphically gory horror film that earned a small but faithful cult audience. Since then, Raimi has gradually worked his way up to major Hollywood motion pictures, only occasionally dabbling in horror…
Far from a glorious return to gory horror by the mastermind behind THE EVIL DEAD and, more particularly, the magnificent EVIL DEAD II, DRAG ME TO HELL is a modest exercise in nostalgia; it’s a bit like a reunion tour by an aging rock band running through a medley of their hits: it’s fun to see their routine again, but the magic is gone, and when the show’s over, you realize you would be better off listening to the old albums instead of spending money on the new stuff.
Lael Loewenstein doesn’t think much of NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN:
Bigger, longer, and even more chaotically crowded (more stars! more f/x!) than its predecessor, “Night at the Museum: Battle of the Smithsonian” proves that adding another ring doesn’t make for a better circus. Swapping Gotham’s Natural History Museum for D.C.’s Smithsonian, this [...]