Archive for 2007
You are browsing the archives of 2007.
You are browsing the archives of 2007.
This period costume drama, from the director of RING, is a deliberate attempt to move away from the tropes of modern J-Horror cinema in favor of a more traditional approach to the supernatural.
BIG MAN JAPAN is built around a funny concept, vaguely akin to HANCOCK: its title character is a superhero who is a bit of a loser. Of course, being a Japanese superhero, he periodically grows to enormous size (courtesy of electricity applied to his nipples) and confronts monsters attacking urban areas around the country, often with [...]
In WASTING AWAY, a tongue-in-cheek riff on RETURN OF THE LIVING DEAD, one of the characters has a penchant for creating weird food combinations, such as soft serve ice cream mixed with beer. Unfortunately, this culinary experiment hides the flavor of a toxic element that finds its way into the mix after a barrel falls [...]
RETURN TO HOUSE ON HAUNTED HILL is a disappointing sequel to the surprisingly enjoyable 1999 remake of the 1958 William Castle production, starring Vincent Price. It’s hard to imagine what Castle and Price would have thought of this sequel (no, it’s pretty easy, actually; they would have hated it), but if you’ve ever wondered what RAIDERS [...]
30 DAYS OF NIGHT: BLOOD TRAILS is twenty-minute short subject compiled from Fearnet.com’s online webisode series, which acted as a kind of prologue to 30 DAYS OF NIGHT (2007). As a sop to FEARnet’s target audience, the heroes are Internet geeks who unravel a terrifying secret; unfortunately, they are also complete idiots who have taken few [...]
PARANORMAL ACITIVITY presents itself as “found footage” shot by a couple who became the victims of a demonic entity. Nearly a decade after THE BLAIR WITCH PROJECT, the faux-documentary approach is a little tired, as is the attempt to pass this story off as “true” (including a closing title card dedicated to the “victims”).
Fortunately, once [...]
DOOD EIND (a film from Amsterdam whose title translates into English as DEAD END) is about a group of friends out for an excursion in the forests of Scotland, where they run afoul of a pair of wild dogs and seek shelter in a nearby mansion. It turns out that the dogs were actually driving [...]
ALONE is an Asian import – not from the usual suspects Japan or Korea, but Thailand (technically, the film is partly set in Korea, but it is a Thai production). Although not a masterpiece, it is an intriguing tale told in a suitably spooky manner, offering evidence that, nearly a decade after the J-Horror wave [...]
Welcome back to kaiju world: big, honkin’ monster attacks Japan, big, honkin’ hero comes around to kick butt. Only in this case, the hero, Dai Nipponjin (literally “Great Japanese”), is a pudgy, lumbering klutz with an electrified, fright wig hairdo that makes him look like a cross between Jim Belushi and Eraserhead. He’s reviled by [...]
by Dan Persons
No, that title’s not a typo. It’s missing an article, maybe as a favor to multiplex managers who have to conserve marquee letters.
For that matter, I’m not sure what “Adventures” is doing in there either, since Johnny (Matthew Twining) doesn’t do all that much adventuring. The son of one-hit singing wonder Jimmy Dow [...]
Like THE LOST, which reached video shelves last month, this French film earned enthusiastic accolades on the festival circuit, where it was seen by ecstatic gore hounds eager to heap praise in direct proportion to the gallons of blood spilled on screen. The difference is that, unlike THE LOST, INSIDE (a.k.a., A L’INTERIEUR) is not nearly as [...]
The film BEOWULF has become the object of differing interpretations as to how depicts paganism in relation to Christianity. I recently reviewed the film in order to address these differing perspectives. Below is an excerpt of the resulting article that I posted at TheoFantastique:
I searched the Internet yesterday to familiarize myself with Christian interpretations BEOWULF and [...]
This retelling of the epic poem about a monster-slaying hero unites computer-generated imagery with live-action performances through the magic of motion-capture. Unfortunately, the marriage breeds a bizarre hybrid, as strange (if not quite as ghastly) as the half-human, half-demon Grendel that haunts the first act. Like that hideous monster, BEOWULF is an almost inexplicable mutant mishap, as if [...]