In the future — and by “future,” we mean 2001 — the Chinese prison system will be stupid. Also violent, sadistic, and quite, quite unsanitary — what with there not being a wall, fixture or floor that isn’t thoroughly coated with the viscera of its unfortunate inhabitants — but mostly really, [...]
MAC AND ME is another one of those transcendental experiences — a film so awful, a film so wrongheaded in all its aspects, a film so cynically devised and ham-fistedly executed that it practically redefines the idea of the bad film. An obvious rip-off of the Steven [...]
Oh, the Sixties, was there a way in which you weren’t one of our most fraked-up decades? War, assassinations, riots in the streets, MY MOTHER THE CAR on TV — never was there a time when it more seemed that society was shredding at the seams. Fortunately, director Larry Buchanan, the mastermind behind such cinematic [...]
Italy has brought us so many wonderful things: Fellini; lasagna; Silvio Berlusconi (that last is debatable). But among the many marvels borne of those shores, truly the most wondrous has to be the knock-off film, a genre that took groundbreaking, innovative American titles and replicated them with [...]
Somewhere towards the end of the 1970′s, the entertainment industry got it into its head that the public not only wanted to spend their nights out rollerskating to driving, disco music, but that they wanted to watch people rollerskating to driving disco music — so much so that there’d be no [...]
This is an episode of Temple of Bad that includes several firsts. It’s our first discussion of a black-and-white film. It’s our first discussion of a film that has such a ridiculously short running time. It’s our first film starring John Carradine, and our first film starring the oh-so-dreamy John Agar. Sadly, it’s also our [...]
Could there be a movie so inanely scripted, so ineptly produced, so all-around awful that it confounds even the staunch acolytes of the Temple of Bad? Uh, yes. Yes there is, and it’s the topic of our latest episode.
AN AMERICAN CAROL was intended to serve as a counterbalance to the perceived liberal tilt of mainstream [...]