Archive for November 2011
You are browsing the archives of 2011 November.
You are browsing the archives of 2011 November.
Silent movie magician George Melies uses an Egyptian setting for this short subject in which a skeleton, covered with a sheet, comes to life and dances, then transforms into a living woman and back into a skeleton. Typical of Melies, the presentation is stagy (befitting a former stage magician), and the profusion of special effects [...]
This 1896 black-and-white silent horror film from George Melies (the special effects pioneer behind 1902’s A TRIP TO THE MOON) probably yields little gooseflesh for today’s viewers. However, it plays like an overture for the next forty years of horror movie imagery; its brief running time encapsulates such soon-to-be-familiar cinema imagery as old dark castles; [...]
This is one of many amusing silent short subjects from George Melies, the early cinema magician who pioneered the use of special effects to create imaginative and whimsical fantasy on screen. Typical of Melies, there is little story; THE MAN WITH THE RUBBER HEAD is more of an extended sight gag, in which the special [...]
This 1905 effort from George Melies may not be as famous as A TRIP TO THE MOON (1902), but LA DIABLE NOIR (or THE BLACK IMP) is a perfect distillation of the the silent movie magicians craft and art. The movie tells the simple story of a customer in a hotel room bedeviled by the [...]
George Melies’s 1902 A TRIP TO THE MOON is a pioneering work in the history of horror, fantasy, and science fiction cinema. Although Melies directing technique is dated (proscenium arch compositions, with no intercutting of different angles within scenes), his whimsical sense of magic and fantasy continue to amuse decades later. Story elements are borrowed [...]
Following up on the previous CFQ Spotlight Podcast devoted to Martin Scorcese’s HUGO, the Cinefantastique crew of Dan Persons, Lawrence French, and Steve Biodrowski – joined by special guest Andrea Lipinski – blast off into the fabulous fantasy world of George Melies. The special effects pioneer and cinema magician of the early silent era was the first to realize the potential of movies imbued with a Sense of Wonder, using the camera not to capture reality but to create dreams writ large on the silver screen.
X-MEN/SUPERMAN RETURNS director to make 60’s sitcom as… an hour-long drama?
JOHN CARTER continues to look like it was shot in Utah (it was), and the nude characters cover-up for Disney-ification.
Dinosaurs lead Taylor and Mira to the brink in action-filled preview.
2011 Christmas Special will be the last new DOCTOR WHO until Autumn 2012.
Gears Set in Motion: Asa Butterfield and Chloë Grace Moretz uncover the true heart of film in HUGO.
At first glance, it doesn’t seem like there’d be much intersect between HUGO — the fanciful film based on Brian Selznick’s vividly illustrated novel, The Invention of Hugo Cabret — and director Martin Scorsese. It’s set in a [...]
STAR WARS is back again – this time on home video – and a look at the 1977 original reminds Cinefantastique Podcasters Lawrence French, Dan Persons, and Steve Biodrowski that, despite having been retitled A NEW HOPE, the first film still works best as a stand-alone original, not as part four in an on-going franchise [...]