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	<title>Comments on: Godzilla: Final Wars (2004) &#8211; Review</title>
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	<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/</link>
	<description>The Review of Horror, Fantasy &#38; Science Fiction Films</description>
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		<title>By: Dang</title>
		<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/comment-page-1/#comment-13625</link>
		<dc:creator>Dang</dc:creator>
		<pubDate>Tue, 01 Sep 2009 20:17:43 +0000</pubDate>
		<guid isPermaLink="false">http://cinefantastiqueonline.com/2004/11/30/godzilla-final-wars-2004/#comment-13625</guid>
		<description>Of all the modern Godzilla films, Final Wars is easily the most deserving of a North American theatrical release, but it doesn&#039;t surprise me a bit that nobody picked it up. Mainstream audiences and critics are more than willing to take movies that are 90% CGI seriously, but man-in-suit effects are still widely seen as a joke. I point to Godzilla 2000, the most recent Godzilla movie to get a North American theatrical release, as evidence. This was a flawed but good Godzilla film, miles better than the 1998 atrocity; but while it did get plenty of positive reviews (71% Cream of the Crop at Rotten Tomatoes), most of them were unsurprisingly of the cowardly &quot;I only like it because it sucks&quot; variety. Still, considering the profit to be made from releasing an already-made film (according to Box Office Mojo, Godzilla 2000 made $10 million in American theatres from a $1 million investment), and the fact that Dragon Wars somehow managed to get an American theatrical release, it&#039;s surprising that no American distributor ever takes a chance on any of the Godzilla movies.</description>
		<content:encoded><![CDATA[<p>Of all the modern Godzilla films, Final Wars is easily the most deserving of a North American theatrical release, but it doesn&#8217;t surprise me a bit that nobody picked it up. Mainstream audiences and critics are more than willing to take movies that are 90% CGI seriously, but man-in-suit effects are still widely seen as a joke. I point to Godzilla 2000, the most recent Godzilla movie to get a North American theatrical release, as evidence. This was a flawed but good Godzilla film, miles better than the 1998 atrocity; but while it did get plenty of positive reviews (71% Cream of the Crop at Rotten Tomatoes), most of them were unsurprisingly of the cowardly &#8220;I only like it because it sucks&#8221; variety. Still, considering the profit to be made from releasing an already-made film (according to Box Office Mojo, Godzilla 2000 made $10 million in American theatres from a $1 million investment), and the fact that Dragon Wars somehow managed to get an American theatrical release, it&#8217;s surprising that no American distributor ever takes a chance on any of the Godzilla movies.</p>
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		<title>By: Godzilla (1954) - Film &#38; DVD Review &#124; Cinefantastique Online</title>
		<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/comment-page-1/#comment-13584</link>
		<dc:creator>Godzilla (1954) - Film &#38; DVD Review &#124; Cinefantastique Online</dc:creator>
		<pubDate>Sat, 18 Jul 2009 18:53:48 +0000</pubDate>
		<guid isPermaLink="false">http://cinefantastiqueonline.com/2004/11/30/godzilla-final-wars-2004/#comment-13584</guid>
		<description>[...] RELATED ARTICLES: Godzilla Raids Again - Mothra Vs. Godzilla - Ghidrah, The Three-Headed Monster - Monster Zero - Godzilla: Final Wars [...]</description>
		<content:encoded><![CDATA[<p>[...] RELATED ARTICLES: Godzilla Raids Again &#8211; Mothra Vs. Godzilla - Ghidrah, The Three-Headed Monster &#8211; Monster Zero &#8211; Godzilla: Final Wars [...]</p>
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		<title>By: &#187; Cybersurfing: &#8220;Midnight Meant Train&#8221;</title>
		<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/comment-page-1/#comment-2138</link>
		<dc:creator>&#187; Cybersurfing: &#8220;Midnight Meant Train&#8221;</dc:creator>
		<pubDate>Tue, 06 May 2008 16:18:54 +0000</pubDate>
		<guid isPermaLink="false">http://cinefantastiqueonline.com/2004/11/30/godzilla-final-wars-2004/#comment-2138</guid>
		<description>[...] debut (and his first legit horror film – his others are more fantasy/action based, including a Godzilla film), and fares far better than many of his peers. The film has a very unique look – it’s very [...]</description>
		<content:encoded><![CDATA[<p>[...] debut (and his first legit horror film – his others are more fantasy/action based, including a Godzilla film), and fares far better than many of his peers. The film has a very unique look – it’s very [...]</p>
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		<title>By: &#187; Hollywood Gothique: &#8220;Cloverfield&#8221; - Opening Night</title>
		<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/comment-page-1/#comment-972</link>
		<dc:creator>&#187; Hollywood Gothique: &#8220;Cloverfield&#8221; - Opening Night</dc:creator>
		<pubDate>Sun, 20 Jan 2008 00:49:16 +0000</pubDate>
		<guid isPermaLink="false">http://cinefantastiqueonline.com/2004/11/30/godzilla-final-wars-2004/#comment-972</guid>
		<description>[...] GODZILLA on opening night in Hollywood; four years ago, we were fortunate enough to enjoy the world premier screening of GODZILLA: FINAL WARS in the Chinese Theatre. Those two films set the outer limits on my [...]</description>
		<content:encoded><![CDATA[<p>[...] GODZILLA on opening night in Hollywood; four years ago, we were fortunate enough to enjoy the world premier screening of GODZILLA: FINAL WARS in the Chinese Theatre. Those two films set the outer limits on my [...]</p>
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		<title>By: &#187; Ultraman: The Next (2004)</title>
		<link>http://cinefantastiqueonline.com/2004/11/godzilla-final-wars-2004/comment-page-1/#comment-839</link>
		<dc:creator>&#187; Ultraman: The Next (2004)</dc:creator>
		<pubDate>Sun, 02 Dec 2007 22:13:44 +0000</pubDate>
		<guid isPermaLink="false">http://cinefantastiqueonline.com/2004/11/30/godzilla-final-wars-2004/#comment-839</guid>
		<description>[...] is one of the gambits the script plays: treating this story as something unfamiliar (unlike GODZILLA: FINAL WARS, which assumes audience familiarity with its menagerie of monsters). The plot unfolds like a [...]</description>
		<content:encoded><![CDATA[<p>[...] is one of the gambits the script plays: treating this story as something unfamiliar (unlike GODZILLA: FINAL WARS, which assumes audience familiarity with its menagerie of monsters). The plot unfolds like a [...]</p>
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